Obrafour Sues Drake $10 Million For Copyright Infringement

Obrafour sues drake
Obrafour sues drake

In recent news, a legal battle has emerged between Ghanaian rapper Obrafour and Canadian rapper Drake. Obrafour has filed a lawsuit against Drake for copyright infringement, alleging that Drake sampled a portion of his hit song “Oye Ohene (Remix)” without permission in the track “Calling My Name.”

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The lawsuit is seeking compensation of $10 million from Drake, raising important questions about intellectual property rights in the music industry and the implications of sampling without permission.

“Oye Ohene (Remix)” is one of Obrafour’s most popular songs, and it has become an iconic track in Ghanaian hip-hop. The song features a distinctive horn riff that is instantly recognizable and has been sampled by other artists in the past. However, in the case of Drake’s track “Calling My Name,” Obrafour alleges that the sampling was done without his permission or compensation.

Sampling is a common practice in the music industry, but it can be a complicated and controversial issue, especially when it comes to intellectual property rights. In many cases, sampling requires permission from the original copyright owner, and compensation may be required. This is especially true in cases where the sample is a prominent and recognizable part of the original song, as is the case with “Oye Ohene (Remix).”

The lawsuit filed by Obrafour against Drake is an important reminder of the importance of respecting intellectual property rights in the music industry. Copyright laws exist to protect the rights of creators and ensure that they are fairly compensated for their work. When artists sample without permission, they risk infringing on the rights of others and may face legal consequences as a result.

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The compensation of $10 million sought by Obrafour may seem like a significant amount, but it reflects the value and significance of the original work. The use of the sample in Drake’s track undoubtedly contributed to its commercial success, and it is only fair that Obrafour is compensated for his contribution to the composition.

This lawsuit also highlights the need for clear guidelines and regulations around sampling in the music industry. As the industry continues to evolve and new technologies emerge, it is essential that artists, producers, and copyright owners work together to find ways to protect intellectual property rights and ensure that everyone is compensated fairly for their work.

The outcome of this lawsuit will be determined by the courts, but it serves as an important reminder of the importance of respecting intellectual property rights in the music industry. It is only through the fair and respectful use of samples that artists can continue to create and innovate while respecting the contributions of others.

Lawsuit Below:

OBRAFOUR CX – v1.4 – Final (04.18.23) – IHA EDIT.pdf (courtlistener.com)

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